My work connects to the history of abstract painting and considers the inexplicable, but also contains fragments and suggestions of what we touch on a daily basis, of the everyday, the utilitarian, and the wearable. I am curious to explore this intersection of materiality and the unknowable, the ecology of places, and the things that hold us, care for us, and comfort us: These drawings are made, in part, with handmade ink that my collaborator Taryn Kneteman and I made together, and are intertwined with conversations we had while drawing and making together around various tables and through various dimensions.
